#Federico fellini film style movie

#Federico fellini film style movie

The movie was followed by his autobiographical masterpiece '8Р’Р…' in which he concentrates on imagination and dream sequels. It won an Oscar as the best foreign film and was hailed by film critics around the world. In 1957, he made 'Le Notti Di Cabiria' (Nights of Cabiria), starring Masina, that earned him his second Oscar in the best foreign film category.Р”Р‡ellini again came under the spotlight with 'La Dolce Vita' in 1959, in which he projected the real face of contemporary Italian society. Taking a traditional Hollywood genre, Fellini added his own innovative style to 'Il Bidone'. His next movie 'Il Bidone' (The Swindle) was not as successful as 'La Strada'. The film depicts the life of a poverty-stricken woman named Gelsomnia (played by Fellini's wife Giulietta Masina), sold to a brutish circus man Zampano (played by Anthony Quinn). It won an Oscar in the best foreign film category in 1954. His fourth movie 'La Strada', regarded as one of his masterpieces, gave him an international breakthrough. Set in Fellini's hometown of Rimini, this autobiographical movie reflects the complex relationship between five friends. But his third movie 'I Vitelloni', awarded the Silver Lion at the Venice Film Festival, saved him from what would have been a sad end to his film career as a director. The financial failure of the first two movies had put Fellini's film career in jeopardy. Though the film turned out to be a financial failure, many film critics now recognise it as a comic masterpiece. This movie was influenced by Fellini's personal vision of the world. Based on the idea that Michelangelo Antonioni gave to the film's producer Carlo Ponti, the movie is a hilarious parody of 'Fotoromanzo', a true romance-type famous Italian magazine at that time. The setback could not deny Fellini his first film 'Lo Sceicco Bianco' (The White Sheik) as an independent director in 1952. Its plot was deeply influenced by Fellini's childhood fascination for vaudeville performers and circus. Though Fellini had to work with an experienced director of that time, he made his presence felt in the movie. The commercial studio company Lux, for which Fellini wrote scripts, handed him the chance to work in the movie 'Luci Del VarietР“В ' (Variety Lights) as a co-director with Alberto Luttada. The film earned Fellini his first Oscar nomination in the category of scriptwriting.Р”В«ut he had to wait for six more years for his first film as co-director. Hailed as a landmark neo-realist Italian movie after World War II, 'Open City' projected a melodramatic description of war-torn Rome. The film's immense success made both Rosellini and Fellini popular at home and abroad. His crucial break as a scriptwriter came in 1944 when he was asked to contribute to the script of 'CittР“В Aperta' (Open City), directed by Italian director Roberto Rosellini. In 1943, he married Italian actress Giulietta Masina, who later appeared in most of his movies. He made his first contribution to film by writing comic gags for Italian actor Aldo Fabrizi. Through his works, Fellini had a commendable influence in Italy's popular culture of that period. He also wrote scripts for radio shows and contributed to the famous satirical magazine 'Marc' Aurelio'. In his early days in Rome, Fellini earned a living as a writer and caricaturist drawing cartoons and sketches. The man was acclaimed Italian film director Federico Fellini, better known for his unique style of blending fantasy and baroque images. He was eventually drawn into the world of art and cinema, and became one of the most influential filmmakers of the 20th century. He enrolled in a law school to pursue a graduate course that he never completed. With a dream of making his mark, a young man left his seaside hometown of Rimini for Florence in 1938, and then moved to Rome, the city that held great fascination for him, the year after.